PDF Ebook The Minimalist Photographer, by Steve Johnson
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The Minimalist Photographer, by Steve Johnson
PDF Ebook The Minimalist Photographer, by Steve Johnson
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This book covers photography from a minimalist perspective, proving that it is possible to take very good photographs with relatively cheap equipment. The minimalist process emphasizes the importance of first knowing what you want to achieve as a photographer and then choosing the most effective equipment, subject matter, and general approach to meet your goals. The minimalist photographer works with the idea that the brain and the eye are far more important than the camera.
Author Steve Johnson begins by asking you, the reader, to look inward and make the connections between your nature and your photography. Why do you want to take photographs and what subject matter are you attracted to? What type of photographer are you now and what type of photographer would you like to become? These are important questions to consider when deciding what approach works best for you.
In subsequent chapters, you'll learn about the equipment and workflow of a minimalist photographer as Johnson discusses the strengths and weaknesses of various types of cameras and explains why the biggest or most expensive piece of equipment is not always the best. He also addresses the importance of lighting and teaches you how to achieve effective lighting without spending a lot of money.
Also included are discussions about aesthetics and composition, as well as a brief history of photography and the future of the art form.
- Sales Rank: #1142062 in Books
- Published on: 2013-04-13
- Original language: English
- Number of items: 1
- Dimensions: 10.00" h x .41" w x 8.00" l, .98 pounds
- Binding: Paperback
- 144 pages
Review
"Who is this book for? This is yet another excellent read for aspiring photographers. Breaking down the many overwhelming aspects and complications of photography, this book manages to focus on what is most relevant in true photographic creation. The Minimalist Photographer touches on all of the key components of authentic photography in an easy to digest and extremely helpful manner." �--�Photo.net
About the Author
Steve Johnson was originally a painter who took photographs. Over the last decade he has become a photographer who paints occasionally. His distinctive minimal style stems from the belief that subject matter is not as important as aesthetic considerations like composition, tone, and line.
Steve has taught visual art and undertaken commercial art projects on both sides of the Atlantic and in the Middle East. He and his wife also owned a gallery that specialized in both painting and photography.
Steve's work has been exhibited in both the United States and the United Kingdom. He is a UK citizen who lives and works in the American Midwest.
Most helpful customer reviews
22 of 23 people found the following review helpful.
An amazingly helpful guide to developing your own aesthetic-- and why you should
By Jeff
The title of the book is The Minimalist Photographer, and it's all about what you bring to your photography, and why. Good photographs might happen as a result of just knowing how to use a camera, but consistently great images of any kind result from merging that technical know-how with some idea of what you want to convey about what you see.
Johnson clearly sets the premise for this book in the Introduction, beginning with the all-too-familiar crisis that a lot of us face after the excitement of a new camera wears off and we ask ourselves, "What now?" He came to realize that without bringing some kind of aesthetic philosophy to his photography, it would remain little more than an exercise in technical competence. He chose a minimalist, reductionist philosophical approach, and found that it works on all levels, whether as a style of art or as a conscious choice in equipment. Once that approach, that philosophy, was in place, the possibilities opened up, and interesting images could be made from nearly anything.
Developing an aesthetic philosophy begins with self-exploration, and the first chapter is appropriately titled "You." It starts with an explanation of why it is easier now to develop your own approach to photography than it was in the past, thanks to digital cameras and being able to share photos on the Internet, without worrying about meeting a pre-ordained standard set by publishers and gallery owners.
The chapter really kicks in for me, though, when Johnson poses the question, "Why do you want to take photographs?" It is a harder question to answer than it might first appear, but it is the first step toward developing your own philosophy, and you need to be honest. From there he asks, "What type of photographer are you now?" and gives examples of how certain kinds of labels, such as "landscape photographer," can be self-limiting, while others, such as as "minimalist photographer," can expand possibilities no matter what is being photographed.
The chapter concludes with, "What type of photographer will you become?" He explains that this is where having a workable philosophy can keep photography interesting and limitless: "Photography writing tends to treat the art as a top-down process. The assumption is that there is this finite amount of technical and artistic knowledge required, and when you have this knowledge, you are a master.... This approach is fundamentally wrong. Photography is a bottom-up process; it is about learning from the past, experimenting, making mistakes, and heading toward an unmapped future. This approach produces great photographers." From there he addresses temperament, our inner natures: "Possibly the hardest work that you will have to do as a photographer is to mesh your art with your own nature." Johnson stands out from the crowd on this one, warning against specializing too soon, and confusing specialization and style.
From here the book is structured from the approach to one's photography, to the basics like shutter speed and light metering, to camera types, and light sources. All of these are considered with a minimalist approach to equipment and time, of cutting to the chase. Particularly eye-opening is the section in Chapter 4 about the photography equipment industry and taking camera reviews with a grain of salt. Then comes a chapter on composition and aesthetics, with some useful ways of thinking outside of the rules.
The last three chapters give several different ways of learning from other photographers, both past and present, whether you agree with their approach or not--"to read with a critical mind." For instance, Johnson doesn't care for HDR, and he explains how he arrived at this as an example of self-analysis. Then he shows how the analysis not only works inward, but outward, as he looks at the place of HDR in the larger world of photography, the dynamics it creates in the community. Reading about others' approach to photography is crucial to developing your own; the key here is not just absorbing those approaches like a sponge, but in assessing what you read.
He goes on to show how a minimalist approach to photography evolved in the history of the camera, from its earliest days to the present ubiquitous camera phone, and through the art styles that photography influenced, such as Pictorialism and Modernism. This "selective history" (his words) shows how aesthetics in photography has further evolved from a rigid hierarchy established by the few who could afford it to today's near-anarchy, thanks to the computer and sites like Flickr. Johnson's hope that the increasing accessibility of photography, as a result of technological advances and prices coming down, will lead to a true meritocracy. It's an uplifting message for anyone who takes the art of photography seriously. As he says, "there has never been a better time to be a photographer."
This is a book I wish I'd had back when I first picked up a camera, especially a digital one. It is quite possible to use this book as a primer for the basics of photography, yet there's enough in it to get you going on a more advanced level, especially when it comes to developing your own style and aesthetics. There's tons of food for thought, all written in a casual, conversational style, and loads of great photographs which demonstrate the value of bringing a philosophy to one's art.
3 of 3 people found the following review helpful.
Minimalist its not, just short of real insight
By David W. Jenkins
I must admit to be being a bit disappointed with the text and layout of the book. The photo and their examination in the text is really quite inspiring and gives a much better insight into a minimalist approach. But then the book could have been a lot shorter.
The first 70+ pages are a bit of an overview of photographic technique. Stuff you'd expect to find in a beginners into to photography, and then not very much detail, (minimal?), and certainly no real help in translating those terms, settings and techniques into a minimalist photo philosophy. And yet another tour through the beginnings, development and current state of play of digital photography. I really think its time to move on past counting bytes, explaining pixels, and choosing FX or DX formats.
Take all that sort of beginner overview out and the book is now incredibly thin. One almost gets the feel that the text was written to conform to a word count and they or the author just kept adding text until the numbers matched.
However the upside is the photos, the details about them, and how that translates into the author's approach are really quite excellent. Some relatively thought provoking, and some downright eye catching.
I was hoping for a really inspiring look at minimalist photography with text to match the ideas.
I've rated it lower because the basic photo overview is irrelevant to the task at hand. There are better books that cover basic topics.
3 of 3 people found the following review helpful.
A Thoughtful Book on Photography
By W J Spicer
As a photographer do you sometimes feel that you are stuck in a groove that you'd like to leave? If so, this is a book you should pick up. I have been taking photos for 47 years, and I have certainly gone through these periods and wish that I had seen this book before now. Nevertheless, even now I have found this commentary on photography of significant value.
Steve takes a long view of the art of photography. He adequately reviews the history of where photography has been, where it is now, and peers into the future.
If you have felt overwhelmed by the flood of technology on the market, you will find relief here, as Steve points out the pitfalls of the photographic publications' bias towards the market's "latest and greatest." He supports your suspicion that you don't have to invest excessively while pointing you in the right direction regarding your interests and what the market offers.
Steve's interest is in promoting you as a reflective and thoughtful student of the photographic arts. We are all students here and in the introduction to his chapter on Composition and Aesthetics he says, "I believe we learn more from teachers who are not afraid to inject their own thoughts and passions regarding a subject than those who do their best to imitate a textbook on legs." Steve is passionate about this art form and to illustrate his book each chapter includes a gallery of his photos that not only illustrate the points of the chapter but his point of view captured in the title, The Minimalist Photographer.
This book challenges the reader to think about the question of why and to engage with others regarding the art of photography. It is written for a broad spectrum: from beginner to seasoned veteran and offers thoughtful commentary to all. I strongly recommend it to anyone who uses a camera either casually or consciously striving to grow their eye.
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